

- CLIFFS OF DOVER GUITAR TONE HOW TO
- CLIFFS OF DOVER GUITAR TONE FULL
- CLIFFS OF DOVER GUITAR TONE SERIES
All I needed was the video lesson and to hear it played through while watching each video, and full performance was extra helpful too. This was the first song I took a stab at when I joined up years ago.

Was one of the best all around performances of “Cliffs if Dover” anyone has ever done, aside form the composer and artist, EJ. If these free lessons help you, please donate to keep new ones coming daily. Have fun with these Cliffs Of Dover Guitar Lesson videos, it is a blast to play after you get it into your hands, not to mention it is an incredible show stopper!! Good Luck!! Let them become ingrained into your muscle memory before trying them at warp speed.Įric Johnson has a very particular right and left hand technique, so make sure you pay close attention whenever I give the picking indications. Take your time with the more difficult sections of this piece.
CLIFFS OF DOVER GUITAR TONE HOW TO
But, that is what it takes to show note-for-note how to play this monster.
CLIFFS OF DOVER GUITAR TONE SERIES
The Cliffs Of Dover guitar lessons videos is a series of 6 videos, some of them almost 20 minutes long. I have studied Eric Johnson's technique for almost two decades and this track is his signature tune. It is an extremely demanding piece of music to perform.

Johnson was ecstatic with the job mastering engineer Bernie Grundman did on the EQ (“He really got the track to sound perfect”), but he was dismayed at Capitol’s initial reaction. Guitar effects were minimal: “It’s just an Echoplex into a Tube Driver, and that went into a 100-watt Marshall with a 4x12 cabinet.” I played it all the way through with my Strat, but the solo didn’t sound as clear and elegant as I wanted, so I punched in an ES-335 for the main solo You can hear the tone difference, but that’s okay – the spirit is there.” Then it goes back to the Strat for the end. “In the studio, I tried a few versions until I got something that sounded right.” His band blazed through two or three takes of the track before arriving at a keeper, but Johnson was unhappy with his guitar sound.Īs he explains, “I played it all the way through with my Strat, but the solo didn’t sound as clear and elegant as I wanted, so I punched in an ES-335 for the main solo. “It varied every time I played it live,” he says. Before the main song, he included a freeform improv section that he had always played live. After signing with Capitol Records in 1989, Johnson decided to finally record “Cliffs of Dover” in a studio.
